I picture generative video advertising as my chaotic creative twin, remixing every bad selfie I’ve ever taken into a global ad campaign that somehow still forgets to credit me but nails my sarcasm.

I want generative video advertising on a tee like a fake LinkedIn flex, showing me as a “Senior Prompt Wrangler” who hasn’t slept since the last campaign sprint but still looks suspiciously well lit.

I’d design generative video advertising as a fake movie poster, starring glitchy avatars and legal disclaimers, with critics raving, “Terrifyingly efficient, would replace human actors again.”

I imagine generative video advertising as a retro infomercial parody, promising fifty localized spots in five minutes, plus one free existential crisis if you call now.